A book map is a visual representation of a book’s contents. This allows for easy analysis of elements and can reveal gaps in the content of a nonfiction book or the storyline of a novel. You may have used a book map without even realizing that’s what you were doing. It’s really just a visual way of rendering an outline. You may also have heard book maps called story grids or plot charts. Anything more complex than a simple outline could be called a book map.
There are many different ways to map a book, and I think often writers find them by accident, just out of the necessity of keeping track of a complex work. I know that was the case for me. Continue reading
One of the hardest things about editing your book is keeping all of the information straight and in the right order. That’s one reason I advocate for outlining. A plain outline doesn’t suit everyone during the drafting process, but once we reach the editing phase, having a visual depiction of the story will help us edit more efficiently.
One technique that’s not often taught to novel writers is storybreaking, which is a screenwriting technique. Screenwriter Vik Rubenfeld calls storybreaking “The Most Important Hollywood Writing Technique You’ve Never Heard Of.”
When Rubenfeld wrote his article, he expressed surprise that more writers don’t know this technique. He linked to this interview with Vince Gilligan, a screenwriter for The X-Files and one of the creators of Breaking Bad. Continue reading
Last time I mentioned that when working in Track Changes with an editor, you should accept most, if not all, of the editor’s changes. It should go without saying, but listen to what your editor has to say.
Yes, there are bad editors who will try to impose their voice and vision over your own. And some editors have a tin ear—a writer at a conference once told me her copyeditor had replaced every gonna and coulda with going to and could have. When faced with those kinds of changes, reject away, kiddo.
At a conference last year, I heard Orson Scott Card say he had once received a manuscript back from a copyeditor who was apparently unfamiliar with science fiction and had therefore made hundreds of changes that ruined his story. The damage was so severe that he sent a copy of his original back to the acquiring editor and demanded a new copyeditor, because the first had fouled up the manuscript so badly that the job had to be started over.
Bad editing does happen. If you don’t trust your editor to give you good advice, then you need a new editor. Continue reading
When you work with an editor on your book, you will probably use the Track Changes feature in Microsoft Word. This can be a little daunting if you’ve never used it before, especially when you get a file back with more red on it than Sweeney Todd’s apron.
First, don’t panic. Remember your editor is there to help you, and those red marks are meant to be instructive, not destructive.
Schedule a time when you can go through your manuscript slowly. If there‘s a change you don’t understand, feel free to ask. Continue reading
April 16 • 9 a.m.–4 p.m.
I’ll be teaching a full-day workshop hosted by the Central Florida chapter of American Christian Fiction Writers. I’m calling it “Systematic Editing,” but it’s based on my Edit Like a Pro: Elements of Fiction series. I’ll walk attendees through the rigorous process professional editors use to evaluate and edit novels. We’ll look at 10 elements of fiction: Continue reading
When I wrote about where to find a good editor, I alluded to $500 for copyediting of a 100,000-word epic fantasy novel being a low-ball budget. So what is the going rate for copyediting or other such services?
In their book APE: Author Publisher Entrepreneur, Guy Kawasaki and Shawn Welch cite $1,050 as a reasonable rate for copyediting a 60,000-word manuscript. They note that “some people might argue that our costs are too high.”
Photo by ra2 studio • Fotolia
Well, maybe some people would. But at $35 per hour, the rate cited is smack in the middle of the range given by the Editorial Freelancers Association. Continue reading
Choosing someone to edit your book is like choosing someone to perform surgery on your child. You need to trust them completely. So how can you be sure the person you’re hiring is qualified? If, as I said last week, you asked other writers for recommendations and checked references, that should go a long way. But if you’re choosing someone out of a directory, or someone you’ve connected with through social media but without a recommendation, what can you look for? Continue reading