Q: I saw a post online that said only people over the age of forty put two spaces after a period. But I’m under thirty, and my college professors said to use two. I’m confused. Which is correct?
A: Both are correct in different circumstances.
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As with so much else that publishing professionals get needlessly worked up about, this is a style choice, not a matter of right or wrong.
Three of the most popular style books currently in use, The Chicago Manual of Style, The Associated Press Stylebook, and The MLA Handbook (Modern Language Association), all call for one space after what we call terminal punctuation—that is, whatever marks the end of a sentence, whether it’s a period, question mark, or exclamation point. Continue reading
Once you have worked your way through the Elements of Nonfiction Editing Checklist, taking as many passes as needed to address the Personality, Presentation, Voice, Information, and Mechanics of your book, what next?
The first thing many writers do is run their manuscript past some beta readers or critique partners. Maybe both. These are two different things, so let me explain. Continue reading
When we talk about the mechanics of a manuscript, we are ultimately talking about details: grammar, spelling, punctuation, and the like. Style is also a component of mechanics, as is manuscript format.
But remember that when I introduced the Elements of Nonfiction Editing Checklist I said it was in order of importance. There’s a reason Mechanics is the last category on the list. It’s the least important.
Which isn’t to say that it’s unimportant. Continue reading
Often when we’re writing nonfiction we need to refer to words in such a way that the term being used is itself the subject of the discussion, rather than the concept the term describes. If I say “My Sunday school students have difficulty understanding the concept of propitiation,” it means something very different from “English is her second language, so she has difficulty understanding the word propitiation.”
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When in your writing you need to discuss the word or phrase itself rather than the concept described by the term, put the term in italics. Continue reading
An editor once excised the semicolons from my writing with the marginal note “Death to semicolons.” He changed every one of them to a period.
Not every editor is so vehement about this much-maligned mark, but those who are may be provoked by the fact that so many writers don’t know how to use it properly.
This lack of accuracy may come about because some people learn that a comma is a pause and a period is a stop. One could readily deduce that a semicolon is somewhere in between.
Almost, but not quite. Continue reading
The guidelines for hyphenation are complex and inconsistent. At least copyeditors are kept in business, but it can be frustrating for a writer to understand when to hyphenate and when not. Hyphenation errors are among the most common spelling problems I see. Yes, spelling. Hyphens are often thought of as punctuation, but matters of hyphenation are correctly classified under spelling, as they are in Proofreading Secrets of Best-Selling Authors and The Chicago Manual of Style. At the risk of sounding like your mother, most of what you need to know about how to spell a word can be found by looking it up in a dictionary. Continue reading
One of the finer points of punctuation is the use of dashes. In casual writing, we often use them willy-nilly, but when you are writing nonfiction for publication, take care to use them properly.
Fiction writers only need concern themselves with one kind of dash. They will rarely have use for the other. But nonfiction writers need to understand the differences and when to use them.
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The first and most common dash is the em dash—so called because in a proportional font it’s about the same width as the letter M. There’s one in the previous sentence. The em dash is used in nonfiction much as it is in fiction: for an abrupt break that’s not suitable for other punctuation. Continue reading
The rules for ellipses in nonfiction differ slightly from those in fiction. In fiction, ellipses signal a hesitation or trailing off of speech. But in nonfiction, they indicate omissions from quoted material. If you’re writing a memoir or other narrative nonfiction, you may use ellipses the way they’re used in fiction.
When you use an ellipsis to indicate an omission, you must take care not to misrepresent the original text. Using ellipses to get around parts of a quoted work that oppose your argument while leaving the bits that support it is cheating the reader. For similar reasons, don’t use an ellipsis to join sentences from passages that are widely separated in the original.
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One of the great things about attending writers conferences—or any conference in your given industry—is the ability to meet with experts who know more than you and learn from them. At this year’s Florida Christian Writers Conference, I enrolled in a four-day fiction workshop taught by Ramona Richards of Abingdon Press.
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One of the intitial things we worked on were our first pages. One attendee had a first page that started halfway down the paper, so her “first page” contained only about one hundred words or so. If you’ve followed this site for a while, you know I’ve advised starting one-third of the way down the page. That’s because the Writer’s Digest publication Formatting & Submitting Your Manuscript contains that age-old advice.
But that age-old advice dates from a time when editors received submissions on paper. Continue reading
Style is one of those words that has too many meanings to keep track of. I once narrowly avoided attending a conference workshop on “personal style” when I found out that it was actually about clothing and makeup and such. Style as part of your appearance and branding.
I had thought it would be about developing one’s personal writing style, which we often refer to as voice.
Yet another type of style—and this is what I actually want to cover today—is the kind of style we are talking about when we refer to The Chicago Manual of Style, The Christian Writer’s Manual of Style, or the Associated Press Stylebook. Continue reading