Use speech and action to convey emotion

Many new writers—and, frankly—some experienced writers—take a short cut in first draft writing by using labels to convey emotion. Do what you must to get through the first draft, but our editing pass is the time to root those things out and replace them with something meaningful. ☐ Emotional states …

Use dialogue tags wisely

Dialogue tags seem simple, but in practice they are a complex element that many new writers fail to appreciate. One characteristic that distinguishes great writing from good writing is the efficient and elegant use of dialogue tags. ☐ Dialogue tags convey meaningful information, such as action beats. One of the …

Use dialogue to move story forward

Back in my college days, I had the great opportunity to take a writing course from TV comedy writer Danny Simon. He taught us a lot in that class, and I’ve probably forgotten most of it, but I kept my notes, so I can always go back and check. One …

Characters speak like real people

New writers’ manuscripts are often marked by unrealistic dialogue. Many things can go wrong in characters’ speech, but this is one of the biggest. If the characters’ conversations sound fake, readers will drop out quickly. ☐ Conversations are natural and realistic. When I say natural, I refer partly to the …

Give characters distinct voices

Editors talk a lot about voice, and it’s a tricky thing to get a handle on. For one thing, there is an authorial voice; that is, each particular author has their own writing style that comes through regardless of the setting or topic of each novel. I prefer to think …

Substantive Editing: The Secondary Elements

When you finish your developmental edit, I won’t make you do a fast read-through again, unless vast whacking chunks of your book have changed. If that’s the case, another read-through may be warranted, as well as another examination of primary elements. A new writer may have to do several cycles …

Developmental Editing: Implementing Your Plan

We’ve now gone through the six Primary Elements: Character Viewpoint Plot Structure Pacing Setting As I noted earlier, if any of these things have changed, they are likely to cause changes to the secondary elements. So we will do at least one complete editing pass to address any issues that …

Use accurate details to develop your setting

The small details you include in your narrative make a huge difference to how the reader perceives the setting. It’s one thing to say a character made a phone call. Is her iPhone connected by Bluetooth to her car’s stereo so she can make the call hands free? Is she …

There’s more to setting than time and place

The other day I wrote about the importance of establishing your setting early. The location and date are key pieces of data for readers to have, but setting encompasses a great deal more. ☐ The culture and mood are evoked through description and character reactions. Culture is a vital piece …

When you want to conceal the setting

Last time we compared minimalist fiction with the failure to provide adequate setting details. But sometimes, a writer may want to hold back setting details to provide a plot twist later. Like minimalism, this is a difficult technique to do well. It’s also been done before—a lot—so you have to …