Not every book will have front and back matter, but if yours does, understand that there is a customary order in which these things usually appear. This information isn’t on the checklist because it may not apply to your book. If it does, you can download the Front and Back …
Lists Are Not Just for Web Writing
Those of us writing for the web are forever being told to use lists. But they have their place in books, too. Web readers aren’t the only ones with a tendency to skim. Pretty much any time you have a bunch of concepts to discuss, a list is useful. ☐ …
How to Use Sidebars, Charts, and Images
Sidebars are a good way to include information that complements your text but that doesn’t aid the flow of your main text. Sidebars are not a good place to house information you discovered that was interesting, but unrelated to the main text. ☐ Images, charts, and sidebars are relevant and …
Use Sensory Details to Capture Imagination
Like a novelist, a nonfiction writer can engage the reader’s imagination through the use of the five senses. ☐ Vivid details enhance the reader’s understanding and highlight key points. We usually think of this kind of detail as being visual. The shape of someone’s eyeglasses, the colors of the flowers …
Use Story to Make Your Ideas Stick
Folks like Copyblogger who teach copywriting often emphasize the importance of story. That’s because a story gives our hearts and minds something to hold on to. Stories make ideas sticky. But the thing is, the story has to be in your work for the right reasons. ☐ Anecdotes are engaging …
Limit Flashbacks in Narrative Nonfiction
The use of flashbacks in narrative nonfiction is similar to flashbacks in fiction. ☐ Flashbacks are used only when necessary and are engaging. A flashback is a dramatized scene that looks back to a time before the story started. Now here’s the thing — if your readers need to know …
Present Information in a Useful Order
The nonfiction equivalent to plot and structure is Presentation and Flow. The events of your story, or the information in prescriptive nonfiction, should be like links in a chain—connected and in the right order. If you haven’t already, get the Elements of Nonfiction Editing Checklist As much as possible, present …
Avoid Making Real People One-Dimensional
A two-sided hazard of narrative nonfiction—whether you’re writing about your own life or someone else’s—is of making the good guys impossibly perfect and the bad guys impossibly evil. Novelists face the same problem, of course, but in nonfiction the problem is magnified because you’re writing about real human beings. Creating …
Populate Your Book with Engaging People
We’ve talked about what sort of nonfiction you may be writing and why it’s important to use stories to make your point. Now we’re ready to dig into the Nonfiction Checklist. The first category, Personality, is equivalent to Character in fiction. The type of nonfiction you’re writing will determine whether …
Leverage the Power of Story
In fiction writing, we often say “story is king.” Remember how I define that: Character + Plot = Story To make your nonfiction engaging, use stories either on a small scale, like anecdotes, or on a large scale, as in a memoir. A story may be brief, like Jesus’ parable …