Finer points of character development

Last time we looked at the importance of great characters in fiction. Now, let’s break down the points in the Character segment of the Elements of Fiction Editing Checklist. ☐ Principal characters are well-rounded and realistic. The goal here is to avoid one-note characters. Remember that people have multiple interests. …

Before editing, develop a plan

Many writers get to the end of a rough draft and then start revising without a clear plan. We’re taught how to write, but often we’re not taught how to edit. Professional editors know that editing requires a clear plan. Working without one can lead to months, if not years, …

Sorting out characters and narrators

Last time, I said there are two kinds of POV: Narrator POV and Character POV, and I mentioned that each has some subsets. Here they are. Narrator POV The omniscient narrator knows everything and can share everyone’s thoughts, but doesn’t have to. He can, and often does, make value judgments …

Eliminating the narrator

As we saw last week, the goal of deep point of view is to eliminate the narrator. Which means there are two primary choices for POV, each of which has some subsets: You can have a narrator, or not. In a novel with no narrator, the POV character takes on …

Why omniscient POV is not recommended

One of the most common errors we see in amateur manuscripts is POV slips, which occur when a writer who means to be writing in character POV includes something the POV character can’t know. For example, if you’re writing from the POV of a starship captain, you ought not put …