Characters speak like real people

New writers’ manuscripts are often marked by unrealistic dialogue. Many things can go wrong in characters’ speech, but this is one of the biggest. If the characters’ conversations sound fake, readers will drop out quickly. ☐ Conversations are natural and realistic. When I say natural, I refer partly to the …

Give characters distinct voices

Editors talk a lot about voice, and it’s a tricky thing to get a handle on. For one thing, there is an authorial voice; that is, each particular author has their own writing style that comes through regardless of the setting or topic of each novel. I prefer to think …

Substantive Editing: The Secondary Elements

When you finish your developmental edit, I won’t make you do a fast read-through again, unless vast whacking chunks of your book have changed. If that’s the case, another read-through may be warranted, as well as another examination of primary elements. A new writer may have to do several cycles …

When you want to conceal the setting

Last time we compared minimalist fiction with the failure to provide adequate setting details. But sometimes, a writer may want to hold back setting details to provide a plot twist later. Like minimalism, this is a difficult technique to do well. It’s also been done before—a lot—so you have to …

Avoid blank stage syndrome

If readers don’t have enough sensory detail to go on, they can fail to engage with the story. Not knowing the story setting is very frustrating for the reader. In The Art & Craft of Writing Christian Fiction, Jeff Gerke says a scene with inadequate setting details “is like one …

Ground Your Readers in the Setting

Setting may not be the most important aspect of a novel, but it is critical to a great reader experience. Some genres are almost entirely defined by their settings. Regency romances are set in England during the early 1800s. Westerns are usually set west of the Mississippi in the late …