Back in my college days, I had the great opportunity to take a writing course from TV comedy writer Danny Simon. He taught us a lot in that class, and I’ve probably forgotten most of it, but I kept my notes, so I can always go back and check. One …
Tag: Elements of Fiction
Use dialogue tags wisely
Dialogue tags seem simple, but in practice they are a complex element that many new writers fail to appreciate. One characteristic that distinguishes great writing from good writing is the efficient and elegant use of dialogue tags. ☐ Dialogue tags convey meaningful information, such as action beats. One of the …
Use speech and action to convey emotion
Many new writers—and, frankly—some experienced writers—take a short cut in first draft writing by using labels to convey emotion. Do what you must to get through the first draft, but our editing pass is the time to root those things out and replace them with something meaningful. ☐ Emotional states …
Using Ellipses in Dialogue
Punctuation is hard to master in everyday writing. Fiction adds a layer of complexity because of the different way dialogue is punctuated. As if commas weren’t hard enough to wrangle on their own, dialogue puts a special twist on a couple of marks that don’t otherwise see a lot of …
Em Dashes in Dialogue
Last time, we looked at using ellipses in your dialogue. Up next: em dashes. ☐ Punctuation such as em dashes and ellipses are used correctly. The em dash—it looks like this—is used to indicate a break of thought or speech. It can be used parenthetically, as in the previous sentence, …
Use description to engage the reader
Description is a necessary element of fiction, but people differ greatly on how much is enough and how much is too much. When you show your draft to critique partners and beta readers, you may get wildly different evaluations about how you’re doing on this point. I recently finished the …
Give richer descriptions of important things
One key to having an appropriate amount of description in your story is proportion. The amount of time you spend describing an object should be relative to its story purpose. ☐ Settings and objects are described in proportion to their importance. It’s easy to spend lots of time describing the …
Use similes and metaphors to aid description
Several years ago, Margie Lawson taught a workshop put on by the Florida Writers Foundation in advance of the annual Florida Writers Association Conference. Margie teaches about the need to delve deep into character emotion to reach readers. When, at the end of the course, she asked what most struck …
Details embed the reader in your storyworld
One of the most difficult aspects of novel-writing is finding the right balance between providing enough description to create an image of the storyworld in your reader’s imagination, and providing so much that the story is bogged down and ceases to move forward. This difficulty is exacerbated by the fact …
Avoid extraneous details in your fiction
Part of achieving balance in your descriptions is managing the details. While on the one hand it’s possible to give the reader sensory deprivation by not providing enough details, on the other hand you can give the reader sensory overload by including too many details, especially if they are the …