One of the things fiction allows us to do is examine hypothetical situations that don’t exist in the real world. A novel is a large-scale thought experiment. This is true of any fiction, but doubly true in speculative fiction. The whole point of science fiction and fantasy is to explore worlds that don’t actually exist.
The storyworld in which my first novel, Alara’s Call, and the other books in the series are set is modeled after nineteenth-century Europe, with all the small countries close together and interrelated royal families and court intrigues. But for all its differences, Europe was long united by a single dominant faith, and most countries had similar governing systems. In my stories, I want to examine several contrasts. This meant I had to set up the storyworld in ways that differ from Europe. Continue reading